Helen Glazer's latest works are from a series based on photographs of clouds, which includes hand-colored archival pigment prints (below) and a painted relief (right).
Also on this site: public art mural commissions and an extensive series of biomorphic relief sculptures. |
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"My artwork is generally characterized by imagery inspired by the natural world, vibrant color, and meticulous attention to surface and detail of form. The insights of chaos and complexity theories and how they can be seen operating in the natural world have influenced my work for the past few years." A Plane Passes By, (above right) is in Digital 2011: The Alchemy of Change at the New York Hall of Science, Queens, NY. Read more about Digital 2011 on ASCI's site and on the ARTES magazine site. This print was also mentioned in a review of Photo 11 this summer in the Washington Post. Solo Show at the Nailya Alexander Gallery, New York, opening June 14. Add your name to the e-mailing list by sending an email with subject "Mailing List." Review of Ori Gersht Exhibition at Santa Barbara Museum, online at Artes Magazine. Photos of icebergs from my trip to East Greenland on Flickr. |
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A Plane Passes By (see Hand-colored set 1) in Digital 2011: The Alchemy of Change at the New York Hall of Science, Queens, NY, September 3, 2011 - February 5, 2012. Jurors: Robert Devcic, owner-director of GV Art London gallery and Philip Ball, writer of popular science books (including some of my favorites: Branches, Shapes, and Flow).
Angler Panorama 2 was in the 1st Biennial Maryland Regional Juried Exhibition at University of Maryland, University College in Adelphi, August 1 - October 16, 2011. Read this review on Examiner.com.
Five hand-colored photographs were in Photo 11: Annual Juried Mid-Atlantic Photo Exhibition at Artisphere. Ran through September 11. Reviewed in Washington Post.
Blue Venus and Animal, Vegetable or Mineral are on loan until 2013 to the American Embassy in Lima, Peru, as part of the U.S. State Department Art in Embassies Program.
A photograph of greater kudus courting, taken in Kenya in 2007, is included in the 2nd edition of Principles of Animal Communication. Read more.
Along with continuing the cloud series, in September 2010 I traveled to East Greenland and photographed the rock formations and icebergs sculpted by wind, water, and geologic activity. Unlike clouds, you can view an iceberg from different angles, so I'm looking forward to also working with this new imagery.
I was fortunate enough to attend the ISC Conference in London (and unfortunate enough to be among the travelers who had to wait an extra week to get home because of the Iceland volcano -- but that's another story). But at the instigation of the Washington Sculptors Group, I've written up an account of the conference, whose theme was, "What is sculpture in the 21st century?" Read it here.
Exhibited 13 hand-colored photographs of clouds in February 2011.
An exhibit of seven of my wall reliefs appearing at the Bloomingdale's at White Flint Mall in Kensington, MD, on the main floor, September 6 - October 9, 2007, as part of a nationwide store event with the theme "Artrageous." (below right) More information and photos.
Bloomingdale's installation detail
Hillyer Art Space, 2011
Two public art projects combining art and astronomy (pictured below). Read more in the Murals section.
Detail of indoor relief mural
(Photo by Jeff D. Goldman)
Outdoor mural in the "Sowebo"
section of downtown Baltimore.
Wall relief by Helen Glazer on exhibit.
View an interactive resumé.
In March 2004, writer Geoffrey Himes, whose credits include the Washington Post and reviews for NPR, wrote a profile which goes into my artistic development over the years, working process and conceptual framework. Read it here.
Helen Glazer, Owings Mills, MD, USA
helen@helenglazer.com
(410) 654-0077
Contact: helen@helenglazer.com
All images, text and web design © Helen Glazer 1993-2011. All rights reserved.
Photos on this page by Helen Glazer except where otherwise noted.
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